Loading cart contents...
White by Marta Bevacqua
Edition: Original print, 30 copies.
Authentication: Numbered certificate signed by the artist, invoice.
Medium: Photography.
Technique: Museum quality fine art print.
Colour: UltraChrome K3 pigment inks.
Media: Hahnemühle, FineArt Baryta 300g paper.
Print: Photo with white surround.
Framing: Mounted on Dibond® with recessed frame, Floater frame.
€ 630.01 – € 1921.92 inc. VAT
Further information
Method of payment: Secure card payment via our partner Stripe, Paypal, bank transfer.
Lead time prior to shipping: 7 days for a print, 15 days for a framed print.
Delivery: To your home address or a collection point. Almost anywhere worldwide.
Delivery fee: Free, small charge for certain destinations.
Durability: Colour stability, indoor UV resistance thanks to mineral pigment inks encapsulated in resin projected on a 100% Alpha cellulose backing.
Lifespan: 75 years without deterioration with normal indoor exposure. Results of tests carried out in independent laboratories.
Maintenance: Stable ambient surroundings recommended for the work. Avoid variations in temperature and humidity. Avoid direct sunlight.
Recommended humidity level: 35 to 65%.
Recommended temperature: 10 to 30°C.
Standards and certification: Acid and lignin-free. Standard ISO 9706 long life.
About the artist
Marta Bevacqua was born in Rome, in 1989. She became interested in photography at high school; this passion became her profession after graduating in 2008. After a group exhibition in London in 2009 she began to produce book covers, working freelance as well as with agencies. After a short Fashion Photography course at Central Saint Martins, London, Marta worked on various fashion editorials and advertising campaigns. She has also participated in several exhibitions (Perugia 2012, Brussels 2015). She won First Prize at PX3 and several mentions at the International Photography Awards. Marta currently works mainly as a fashion photographer (editorials: Madame Figaro; Grazia; Marie Claire, etc.; advertising campaigns: Vichy). She continues to work on her personal artistic projects. Marta has lived in Paris since January 2014. She has participated in various initiatives by PhotoVogue (Vogue Italia), like PhotoVogue & Swatch, PhotoVogue Martini and an exhibition in Milan (2016) “PhotoVogue in Fashion”. In 2016 Marta became interested in videos, producing two clips for Asaf Avidan. Open Space Paris represents her worldwide.
Website: www.martabevacquaphotography.com
More about Marta Bevacqua
ON THE
TECHNICAL
SIDE
How did you choose your means of expression?
I didn’t actually chose it – it just happened.
Is this medium secondary to or closely linked to your subject?
Neither. It’s just a medium. It could be anything. The important thing is the subject and what’s going on in front of the camera.
How does a work session take shape?
I do a lot of preparation before the shoot, and the shoot itself is quite quick.
Can you explain to me how your work has evolved since starting out?
I started with flowers and portraits of my sisters when I was very young. Step by step, I grew up and became involved with fashion by chance. After that, I really started working in fashion in Milan and in Paris right now (I have lived in Paris for 4 years).
ON A
PERSONAL
NOTE
Do your origins and culture play a role in the works that you produce?
Not really my origins (I’m Italian) but definitely the way I grew up. I grew up surrounded by nature, in a big country house. I think it’s thanks to that that I feel very attached to nature.
What are your sources of inspiration?
It can be everything. It can be a beautiful light and place or a great model. I take inspiration from books, movies and music and, of course, from other artists’ works.
ON A MORE
PHILOSOPHICAL
NOTE
Are your works more of a dialogue, a trace or a denunciation?
A story.
Do you wish to make viewers wonder or do you prefer to question them?
I wish them to wonder.
Is art poetry or social intervention?
It can be both.
