Wuhan Boulevard by Alessandro Zanoni
Edition: Original print, 10 copies.
Authentication: Numbered certificate signed by the artist, invoice.
Technique: Museum quality fine art print.
Colour: UltraChrome K3 pigment inks.
Media: Hahnemühle, FineArt Baryta 300g paper.
Print: Photo with white surround.
Framing: Mounted on Dibond® with recessed frame, Floater frame.
€ 553.89 – € 1438.12 inc. VAT
Method of payment: Secure card payment via our partner Stripe, Paypal, bank transfer.
Lead time prior to shipping: 7 days for a print, 15 days for a framed print.
Delivery: To your home address or a collection point. Almost anywhere worldwide.
Delivery fee: Free, small charge for certain destinations.
Durability: Colour stability, indoor UV resistance thanks to mineral pigment inks encapsulated in resin projected on a 100% Alpha cellulose backing.
Lifespan: 75 years without deterioration with normal indoor exposure. Results of tests carried out in independent laboratories.
Maintenance: Stable ambient surroundings recommended for the work. Avoid variations in temperature and humidity. Avoid direct sunlight.
Recommended humidity level: 35 to 65%.
Recommended temperature: 10 to 30°C.
Standards and certification: Acid and lignin-free. Standard ISO 9706 long life.
About the artist
After attending the Liceo Artistico and gaining a degree in graphic design at the European Design Institute in Milan, Alessandro Zanoni began his professional career by working in printing, publishing, web and interaction design. Passionate about music – he worked for the monthly magazine Jam for a decade – and auteur cinema. He turned to photography more recently receiving awards and mentions in several international competitions. His work mainly focuses on the Far East. He was in China for two artist residencies, in late 2016 and then in 2018, where he reported extensively on the city of Wuhan, the development of cities in Inner Mongolia and the slow disappearance of some urban villages in Shenzhen and Shanghai. In Japan, in 2018 and 2019, he documented endless suburban scenes by night and the lively nightlife of Taipei and Hanoi. His projects, mainly based on discovering unusual and desolate urban landscapes, have been published in numerous online and offline publications including Domus, Life Framer, Vice, Fubiz, Divisare, Photography of China, Creative Boom, Camera Infinita, il Fotografo, Style Magazine, Collateral and many others. He has exhibited in solo and group shows in Milan, Catania, Naples, Paris, and New York. With Steve Bisson’s Urbanautica Institute he published a book titled ‘The Post-War Dream’, a visual journey into the Anthropocene, a comparison between contemporary China and post-Second World War Italian urban landscape.